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Month: April 2013
Moritz – SOS Album Review
The band was fairly short lived and they split in 1988 and Ian, Greg & Andy became the core of AOR band If Only (review here – http://www.chesyrockreviews.com/2011/06/if-only-no-bed-of-roses.html ) while Peter went onto join Samson.
The band returned in 2008 after the long awaited City Streets CD finally gained a release via the Harmony Factorylabel. The album consisted of the sought after so called Shadows of a Dream EP and some unreleased recordings. It received critical acclaim, prompting the guys to get back together. Perhaps the album cover put people off!! (Exhibit A at the bottom of the review). Its one of those has to be seen to be believed. Thankfully the guys have matured a bit and don’t give a toss about the image – just the music.
The band reformed with the original line-up, and released the excellent Undivided in 2011. I love this album, but in hindsight it sounds a little ‘flat’ when listening to the new opus ‘SOS’. Moritz have obviously eons of experience and this time have followed the ‘ if something’s worth doing, its worth doing right’ mantra. Throw more money doesn’t mean success I hear you say. But, its bloody well worked in this instance, AND it still probably hasn’t cost them a fortune.
Immediately, the album production sounds superior over Undivided, and, more importantly, everyone is bringing their A Game right from the off. ‘Fire’ or it should be named “On Fire” as Pete Scallan’s vocals immediately kick me in the teeth and he comes over a little Bon Scott/ Jimmy Barnes in sound, and that is one great sound I can tell ya. The ante is upped immediately, and Fire becomes the ignition point for the whole album. ‘Cant Hide My Heart’ falls into now typical Moritz territory, smooth, classy, and a chorus that’s instantly memorable. ‘Gonna Lose Her’ has more of a 70s funk groove than anything heard from them before and its nice to hear that its not all just AOR. Until that chorus……! Great, great song.
‘Remember Yesterday’ has a Foreigner feel to the beginning, completely different from the rest, but just as compelling. Its hard not to compare ‘Mercury Falling’ to Brian May as the guitar tones are exactly the same. ‘Amber Lee’ is one of the many highlights, very 80’s but a classy Radio friendly affair. ‘Caught Between Life & Light’ is the first ‘real’ ballad on the album; a mellow start building up to a really nice crescendo and a great solo from Nolan. If you’re gonna finish, then finish on a good ‘un, and title track ‘SOS’ does just that, a powerful Moritz modern day anthem!
Predominantly the main songwriter is Greg Hart, who based on his quality deserves to be sitting on a huge pot of money. Couple this with the excellent vocals of Scallan, the Flying V soloing of Mike Nolan, the great texture added by Andy Stewart, and the backbone of Ian Edwards, and John Tonks, and ”SOS” makes for one of the best albums of the year, and its still only April. If this isn’t still in my or most other melodic rock lovers Top 5 come December I’ll eat this review!
An essential buy for 2013.
SCORE – 90/100
Top 50 Classic/Metal/Aor/Prog Albums of Mine (in no particular order!)
Before anyone kicks off – its just a list! Of Mine! My fave albums I can listen to from beginning to end without any bother whatsoever. No skipping, fast forwarding, all great from first to last. The one’s in green? My all time faves….
Rainbow – Rising
Rainbow – Long Live Rock n Roll
Rainbow – Down To Earth
Deep Purple – In Rock
Deep Purple – Burn
ACDC – Back In Black
Autograph – Sign In Please
Airrace – Shaft Of Light
Alter Bridge – Blackbird
Black Sabbath – Heaven and Hell
Coheed & Cambria – Good Apollo I’m Burning Star IV – From Fear Through The Eyes Of Madness
Coheed & Cambria – No World For Tomorrow
Valentine – st
Prophet – Cycle Of The Moon
Tradia – Trade Winds
Tyketto – Dont Come Easy
Dio – Holy Diver
Dio – The Last In Line
FM – Indiscreet
Iron Maiden – Number of The beast
Iron Maiden – Powerslave
Def Leppard – Pyromania
Journey – Frontiers
Dokken – Under Lock & Key
Montrose – st
Pearl Jam – Ten
Opeth -Ghost Reveries
Motley Crue – Dr Feelgood
Icon – Night Of The Crime
David lee Roth – Eat ‘Em And Smile
Thin Lizzy – Live & Dangerous
Dream Theater – Images & Words
Queensryche – Mindcrime
Shinedown – The Sound Of Madness
Riverdogs – st
Romeos Daughter – ST
Scorpions – Lovedrive
MSG – MSG
Tesla – Mechanical Resonance
Van Halen – I
Van Halen – 1984
UFO – The Wild, The Willing, and The Innocent
FM – Tough It Out
Foreigner – 4
Night Ranger – Man In Motion
Rush – 2112
Rush – Signals
Rush – Moving Pictures
Thunder – Backstreet Symphony
Whitesnake – Slide It In
Let the comments begin!!!!!!
Mia Klose – London Album Review
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–> 79/100
Tracklisting –
Open Your Eyes
You Drive Me Crazy
Mama
Living For Tomorrow
London’s A Heartbreaker
Lady Killer
Never Too Late
City Of Rock
www.miaklose.com
www.facebook.com/miaklose
www.twitter.com/mia_klose
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HRH AOR – Magna, Rotherham, 7.4.13, Day 2 Review
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Excellent festival!
All photos (except VHB, Summers) copyright Mark Lloyd
HRH AOR – Magna, Rotherham Saturday 6.4.13 Day 1 Review
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Set within a colossal former steelworks, Magna also echoes with the rich industrial heritage of the UK steelmaking industry which once used the natural resources of earth, fire, water and air – to manufacture steel products which were shipped around the world.
The steelworks closed in 1993 but the original building has been largely preserved as a monument to its industrial heritage. Impressive artefacts such as hulking hooks, winding passages, cupolas and cranes are still in position around the science adventure zones in Magna today. They are silent reminders of the cathedral-like building’s industrial past. A perfect backdrop to a religious gathering of Prog & AOR followers…
First up on the main stage (quite late) were local outfit Spill Sixteen.Even though behind schedule they managed to tear through their set in enough time and have time for their intro tape of Magnum’s theme tune. Highlight of the set were the impressive bluesy opener ‘Doing It Tonight’ with a very excited and animated singer in Steve, and are cross between a Bad Co and Mamas Boys vibe. Spill 16’s Bass drum was turned up to 15 as I could actually feel my hair moving (upstairs and downstairs!). Other notable offerings was the well received ‘Damned’, and new single ‘Come With Me’. If a twin Les Paul attack is right up your street with no nonsense rock and roll then Spill 16 deliver. Just cheer up guitarist, you know who you are (OK Its JJ). Spill Sixteen are ones to look out for in the future

Dante Fox were firsts for two reasons.
1) First band with keyboard player in tow, and
2) Sue Willets wielding a tambourine (the first of many over the weekend). I have a few DF albums and was wondering how they would come across live. My doubts were immediately extinguished as Willets’, vocals (despite her apologizing for her croakiness) were damned impressive. Tim Manford’s guitar playing was up there with the best, and also Sue’s banter was quite witty and relaxed. Most of the set came from ‘Under The Seven Skies’ with Sue showing her vocal chops on the excellent ‘Walking The Line’. Dante Fox were responsible for my first ‘goosebump’ moment of the day (many more were to follow over the course of the weekend) with the excellent rendition of ‘Limara’, I mean ‘Remember’, with Willets hitting a stellar note at the end that made me have a nice sit down and a calming cup of tea.

Danny Vaughn was up with an electric set for once. I love his acoustic renditions , because of its intimacy, but when you have a repertoire like Danny’s its rude not to show it off with an electric set, with a mix of solo (some not so well known) and a couple of Tyketto (‘Meet Me In The Night’, ‘Battle Lines’ & ‘Seasons’ – probably the best of the set judging by the audience reaction). It’s the solo songs that show the quality of Vaughn, from the country sounding ‘Just Like That’, to the anthemic ‘Badlands Rain’, and haunting opener, ‘Bad Water’. Not be outdone, Danny’s vying with Leigh Matty for shiniest hair in melodic rock accolade. Result? A close second for Danny!

Sacramento’s Tesla were up next. I don’t know if it was the local water, but a few pronounced then Tezla! It been a fair few years since I saw them last (supporting Leppard on the Hysteria tour) and the guys still all look and sound great. Whilst I never really classed them as AOR, Tesla are a class rock band. In the same fruitful vein as FM, Tesla prove that their latest (2008’s ‘I Wanna Live’ & ‘Breaking Free’) are up there with anything from their first 3 classic albums. Tesla are definitely at Magna to put on a show, with Jeff Keith a cross between Stephen Tyler and a clothed Iggy Pop, and the rest of the band ready to unleash their wrath on the Rotherham crowd. Thankfully Keith’s voice has hardly altered since ‘Mechanical Resonance’and the songs fit like a nice comfy pair of slippers. We are given ‘Getting Better’, the Frank Hannon wizardry on the theremin for the excellent ‘Edison’s Medicine’. The final song being their ‘must play’ and the first Tesla song I ever heard, the barnstorming ‘Modern Day Cowboy’.
For the encore they played ‘Little Suzi’, but I must admit I was a little disappointed they didn’t play to the GTA (Grand Theft Auto) crowd in us all and hammering us with ‘Comin Atcha Live’, but that’s just me being a little picky.


All photos copyright Mark Lloyd
Interview with Pierpaolo "Zorro11" Monti (Shining Line & Charming Grace / AOR all star projects)
PM: Hi Paul! Thank you so much for your so kind words and for this interview, I’m glad to be here discussing with you about Charming Grace!
Perfect Crime – Blonde On Blonde Album Review

Paris – ‘Only One Life’ Album Review
Dancing On The Edge
What We Should Be Saying
South Of Love
Every Time You walk Away
America
Longer Than I Care To Remember
The Clock
On Fire
When The Lights Fade Away
Handle With Care
For The Time Still To Come
except “America and “South of Love” written by Frédéric Dechavanne & Sébastien Montet
Produced by Alessandro Del Vecchio
Recorded, mixed & mastered by Alessandro Del Vecchio at Ivorytears Music Works, Italy
Arranged by Frédéric Dechavanne, Sébastien Montet & Alessandro Del Vecchio
PARIS are :
Frédéric Dechavanne: Lead & backing vocals, keyboards
Sébastien Montet: Lead & rhythm guitars
Additional musicians:
Anna Portalupi: Bass
Alessandro Mori: Drums
Alessandro Del Vecchio: Backing vocals
Steve Newman: Backing vocals
Robert Säll: Lead guitars on “America”
Laneslide – Flying High Album Review

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Four additional renowned musicians also lend their musical talents to the Laneslide album: Lino Gonzalez from Argentina on lead and rhythm guitars, Bobby Altvater on guitars and backing vocals and Erik Mårtensson and Michael Bormann on backing vocals.
Laneslide are one of the most exciting collaborations in recent years, their hard hitting yet very catchy brand of Melodic Rock is powerful, passionate and it has all the trademarks to let it stand out from the bulk of releases coming out this spring. I think they should have gone for Landslide as I can get a lot more puns out of Landslide than I can with Laneslide!
Ladies and Gentlemen, fasten your seatbelts, turn up your stereo and get ready for the Rock’n’Roll LANESLIDE.
LANESLIDE are :
Frank Vestry– Lead Vocals
Bruno Kraler – Lead & Rhythm Guitars
John Billings – Bass
Alessandro Del Vecchio – Keyboards & Grand Piano
Dominik Hülshorst – Drums
Special Guests :
Lino Gonzales– Lead & Rhythm Guitars
Bobby Altvater – Rhythm Guitars, Backing Vocals
Erik Mårtensson – Backing Vocals
Michael Bormann – Backing Vocals
Produced & mixed by Bruno Kraler
Mastered by Christoph Stickel
Artwork by Mattias Norén