Tag: Rock Review

Kira Mac – ‘Chaos Is Calling’ Album Review

What Kira Mac have delivered is extraordinary. It is ten songs of pure quality, that after one listen will make you ride that rollercoaster and pay to take the ride again and again. Its not a perfect 10, but it is 35 minutes of absolute enjoyment.

Every now and again YouTube throws me a bone to a band I’ve not encountered before. OK, to give them credit, it does it quite often, but I have a short attention span. I’m not a kid where it has to grab me by the bollox in the first 10 seconds, but I’ll give it a listen at least until I get to a chorus.

I can’t tell you what I was listening to in the first place, but Kira Mac appeared and it was an occasion whereby I my bollox were well and truly grabbed (so to speak). I’ll tell you why shortly.

Anywho, Kira Mac are making little gains that seem to be gathering momentum.

  • Steelhouse created a spot for them
  • BBC Radio 2 play
  • Rock n Blues appearance
  • 17k organic vires on YouTube in 6 months
  • 25k streams on Spotify in 6 month
  • Playlist on Planet Rock for all 4 singles

I am 100% certain that all of this achievement will be well and truly eclipsed 6, or 12 months from today. I am that convinced, I have put a reminder in my calendar to check out the stats!!

Kira Mac are mainly based in and around the North of the UK. Vocalist and reason for the band name Kira Mack along with guitarist Alex Novakovic and bassist Bret Barnes all hailing from Manchester. Joe Worrall (guitar) is from Hull, and new drummer (and doesn’t appear on the album Max Rhead is from Newport. 

Firstly Kira Mac is an unsigned band. This can be for a couple of reasons. Is it because labels won’t entertain anyone unless they have one million streams on Spotify, or is it because it is feasibly possible that an unsigned band can be profitable without the support of a label of any size. If one of my favourite bands (Dirty Honey) can do it, so can Kira Mac.

Right from the off you can tell that Kira Mac have been plying their trade for some time. I really have a soft spot for female vocalists – Leigh Matty, Pat Benatar, Ann Wilson, and the one I want to make particular reference to is one Dorothy Martin. ‘One Way Ticket’ is Dorothy. I just wish everyone knew about Dorothy as they are bloody brilliant. So to compare Kira to Dorothy is very high praise indeed. Searing guitars? Check. Sumptuous chorus. Check. Instantly singable. Check. What a start! ‘Hit Me Again’ is in similar vein, and ‘Chaos Is Calling’ has a bone crunching riff that heavier bands whose band logos I can never read would crawl across broken glass for. It still has melody in spades. 

‘Back For More’ (not that one) is a song that’s bluesier and still pushes the right buttons. You would swear that these guys are American. ‘Mississippi Swinging’ is without doubt one of the best songs on the album. With an opening line like ‘Mississippi swinging got a whiskey sipping honey on my left hand’ you know its going to be a belter. Its a song whereby if you heard this in a pub, you’d stop drinking and start had banging. The other two highlights being ‘Hell Fire Holy Water’ and massive closer, ‘Dead Man Walking’. Its almost as if Kira Mac have a random song title generator. ‘HFHW’ will go gown a storm live as a singalong moment (I guarantee it), and ‘DMW’ is the song that started it for me. Its based on a massive chunky riff, Kira Macs vibrato vocal styling and tasty guitar solo. ‘Downfall’ ups the ‘heavy’ to 11 and ‘Never Going to Stay’ is the king to ‘Downfalls’ yang. ‘Never…’ definitely has a Nashville country influence and is probably the most mainstream sounding song on the album

What Kira Mac have delivered is extraordinary. It is ten songs of pure quality, that after just one listen will make you ride that rollercoaster and pay to take the ride again and again. Its not perfect, but it is 35 minutes of absolute enjoyment. I really think that Kira Mac deserve to be going places. The debut album is out at the end of this week (18th November), and a UK tour follows hot on the heels, starting in Edinburgh two days later (20th November).

9/10

Tracklisting – 

One Way Ticket

Hit Me Again

Chaos Is Calling

Back For More

Imagine What Could’ve Been

Mississippi Swinging

Hell Fire Holy Water

Downfall

Never Going To Stay

Dead Man Walking

Album Line Up

Joe Worrall – Guitar

Alex Novakovic – Guitar

Bret Barnes – Bass

Cal Casey – Drums

Kira Mac – Vocals

Feature band image is courtesy of Emilia Drag

Sam Millar – ‘Radio Gouda’ EP Review

Sam Millar – Radio Gouda EP

I loved Sam Millar’s first EP Holy Sass, for me it was one of the best releases last year with a fresh sound and a break away from the heavier Bigfoot sound. With this in mind I was looking forward to hearing the second EP immensely. 

Sam’s Facebook page – “Sam Millar – Music” has clips of Sam playing various covers and basically being, well, just Sam, mental, funny and well worth checking it out.

Radio Gouda – the intro is the sound of a radio being tuned with music fading in and out as the dial is turned before DJ Dairylea is found. He’s not right in the head I tell ya.

Human kicks things off in earnest, it starts with a staccato kind of guitar riff which leads up to Sam’s vocals kicking in. What has become clear is that Sammy can sing, he has a distinctive voice suited perfectly to the music he writes. Human is a great piece of soft rock, a catchy chorus and the obligatory Sam guitar solo. Again Sam’s guitar sound and solos are distinctive, the lad can play.

Forbidden is the first track to be released and it would have fitted in perfectly on the first EP in the sound and structure of the song (hark at me talking as if I’ve actually got a clue about music), the chorus is catchier than a STI and it’s 4 and half minutes of quality. 

Let it Rain is a slower moodier track and leads with the vocals full of angst with keyboards providing a mellow undercurrent before the guitars come in and take over nicely. The choral middle section is a smart touch and complements the overall sound. 

Sober kicks off with a guitar riff that definitely nods in the direction of “Why Can’t This Be Love” by Van Halen. It’s a sad song about trying to stop a break up “If it’s over say it’s over, I’ll believe it when you’re sober”. The chorus is haunting and the guitar solo is a belter, cool and considered. 

Levi’s brings the EP to a rocking end, the most energetic and hi-energy track with a bit of Sammy humour chucked in for good measure singing about a cold shower at midnight. 

So Radio Gouda is another belter from Sam, I loved the first one and this is as good if not better. It’s a lifetime away from the Bigfoot songs and cements Sam’s style as a solo artist. When you have a 5 track EP you can’t hide weak songs, well there aren’t any so that’s a result.

For a self-written and home produced EP it really is superb stuff, it’s melodic, thoughtful with a well-considered guitar solo on every track. I would hope that a label will pick this up and invest in giving the songs just that little bit of a polish. 

I’m gutted that this bloody virus has stopped the Sam Millar and the Sass Bandits tour. I was going to Newcastle to see him and can’t tell you how much I was looking forward to seeing Sam do his thing with his own band. I didn’t ask for a refund, not because I’m kind but because it was free gig. 

My advice is simple – Check out the Sam Millar – Music page and invest a couple of quid on a young talented artist who also happens to be a nice guy, you won’t regret it…..probably.

9.5/10

Track list:

1. Radio Gouda

2. Human

3. Forbidden

4. Let it Rain

5. Sober

6. Levi’s

REVIEW BY LAWRIE