Tag: rock

Steel Panther – ‘On The Prowl’ Album Review

If you love Steel Panther then this is everything you want from a new SP album. If you are a naysayer then there’s nothing here for you whatsoever, and I don’t think the guys give a flying fuck either way.

Amongst the rock fraternity, no one divides the rock fans more than Steel Panther. Oh, and Nickleback. Although one website who clearly know fuck all about rock and metal have named Sabbaths Heaven and Hell as an example.

There are some people out there who think that Steel Panther are a parody band and shouldn’t exist. These people are WRONG! The other half, like me, think that Steel Panther are coming up with some of the best riffs and songs this side of Tony Iommi’s moustache. Dont get me wrong, these guys can do comedy, and take it to another level, but my learned friend, I would also like to submit Exhibit A (Tomorrow Night), Exhibit B (Gloryhole), Exhibit C (Gold Digging Whore) and my latest Exhibit, Exhibit D, the new (Friends With Benefits) as songs that are just as good, if not better than a lot of glam/sleaze/hair metal bands produced in the heyday of the 80s and early 90s.  Parody my arse!

I wasn’t overly enamoured with the last two albums ‘Heavy Metal Rules’, and ‘Lower The Bar’. Thankfully the guys have used lockdown as the perfect opportunity to get their act in order and snorted their weight in nose candy and have come back in glorious style with ‘On The Prowl’. Apparently they all worked from home, and it has paid dividends. 

The nucleus is still there – Michael Starr, Stix Zadinia, and Satchel. If you have been living in a case for the last few years, Lexxi has gone, and after a porno version of American Idol and a few temporary solutions, the guys announced Spyder into the fold in September 2022

In todays cancel culture where you tread on eggshells on what you can say without offending anyone, Steel Panther come right out of the blocks and set their stall with ‘Never Too Late (To Get Some Pussy Tonight). In an uncertain World its good to know that some things stay the same. ‘Friends With Benefits’ is the first cut above track. It has LAs Sunset Strip threaded through it like a stick of rock with Satchel delving deep into his bag of 80s riffs. They go mushy with the social media ballad ‘On Your Instagram’, ‘why can’t you look like you do on your Instagram’ telling you everything you need to know in a simple rhyme about todays state of affairs. ‘1987’ is another stand out track with Starr proclaiming ‘Coverdale banging Tawny Kitaen and the World just felt alright’, and ‘the music scene will never be the same, but I didn’t realise that things would get this lame’. Its one of the best songs they have ever written. Thankfully we have Steel Panther on a one man (band) mission to rectify all that was great about the 80s and then some.

If you think that the song titles are a bit ‘normal’, they revert to type (Yay!) with Dweezil Zappa sining up to shred on ‘Is My D**k Enough’, and the wonderfully titled ‘Magical Vagina’, I’d like to know what a magical vagina does? Card tricks? Levitation? Pull a tiger out? 

’Pornstar’ is a song that only Steel Panther could write, AND get away with. ‘If Harvey Weinstein was still free he wouldn’t care if you resisted’. Oof! ‘Aint For Dead’ is a biographical song about getting old and lamenting about times past, but they still have a part to play, and party.

Photo Credit – David Jackson

‘On The Prowl’ is an album that gets Steel Panther back on track after the last couple of ‘Panther by Numbers’ albums. Theres nowt wrong with music by numbers, but its back on a par with early Steel Panther music when they were on fire (and I’m not talking about Michael Starrs chlamydia!!)

If you love Steel Panther then this is everything you want from a new SP album. If you are a naysayer then there’s nothing here for you whatsoever, and I don’t think the guys give a flying fuck either way. In an uncertain world, its good that some things never change. All hail Steel Panther.

7/10

Tracklisting – 

Never Too Late (To Get Some Pussy Tonight)

Friends With Benefits

On Your Instagram

Put My Money Where Your Mouth Is

1987

Teleporter

Is My Dick Enough (Featuring Dweezil Zappa)

Magical Vagina

All That And More

One Pump Chump

Pornstar

Ain’t Dead Yet

Sleeping On The Rollaway

Steel Panther –

Michael Starr – Vocals

Satchel – Guitar

Stix Zadinia – Drums

Spyder – Bass

Kira Mac – ‘Chaos Is Calling’ Album Review

What Kira Mac have delivered is extraordinary. It is ten songs of pure quality, that after one listen will make you ride that rollercoaster and pay to take the ride again and again. Its not a perfect 10, but it is 35 minutes of absolute enjoyment.

Every now and again YouTube throws me a bone to a band I’ve not encountered before. OK, to give them credit, it does it quite often, but I have a short attention span. I’m not a kid where it has to grab me by the bollox in the first 10 seconds, but I’ll give it a listen at least until I get to a chorus.

I can’t tell you what I was listening to in the first place, but Kira Mac appeared and it was an occasion whereby I my bollox were well and truly grabbed (so to speak). I’ll tell you why shortly.

Anywho, Kira Mac are making little gains that seem to be gathering momentum.

  • Steelhouse created a spot for them
  • BBC Radio 2 play
  • Rock n Blues appearance
  • 17k organic vires on YouTube in 6 months
  • 25k streams on Spotify in 6 month
  • Playlist on Planet Rock for all 4 singles

I am 100% certain that all of this achievement will be well and truly eclipsed 6, or 12 months from today. I am that convinced, I have put a reminder in my calendar to check out the stats!!

Kira Mac are mainly based in and around the North of the UK. Vocalist and reason for the band name Kira Mack along with guitarist Alex Novakovic and bassist Bret Barnes all hailing from Manchester. Joe Worrall (guitar) is from Hull, and new drummer (and doesn’t appear on the album Max Rhead is from Newport. 

Firstly Kira Mac is an unsigned band. This can be for a couple of reasons. Is it because labels won’t entertain anyone unless they have one million streams on Spotify, or is it because it is feasibly possible that an unsigned band can be profitable without the support of a label of any size. If one of my favourite bands (Dirty Honey) can do it, so can Kira Mac.

Right from the off you can tell that Kira Mac have been plying their trade for some time. I really have a soft spot for female vocalists – Leigh Matty, Pat Benatar, Ann Wilson, and the one I want to make particular reference to is one Dorothy Martin. ‘One Way Ticket’ is Dorothy. I just wish everyone knew about Dorothy as they are bloody brilliant. So to compare Kira to Dorothy is very high praise indeed. Searing guitars? Check. Sumptuous chorus. Check. Instantly singable. Check. What a start! ‘Hit Me Again’ is in similar vein, and ‘Chaos Is Calling’ has a bone crunching riff that heavier bands whose band logos I can never read would crawl across broken glass for. It still has melody in spades. 

‘Back For More’ (not that one) is a song that’s bluesier and still pushes the right buttons. You would swear that these guys are American. ‘Mississippi Swinging’ is without doubt one of the best songs on the album. With an opening line like ‘Mississippi swinging got a whiskey sipping honey on my left hand’ you know its going to be a belter. Its a song whereby if you heard this in a pub, you’d stop drinking and start had banging. The other two highlights being ‘Hell Fire Holy Water’ and massive closer, ‘Dead Man Walking’. Its almost as if Kira Mac have a random song title generator. ‘HFHW’ will go gown a storm live as a singalong moment (I guarantee it), and ‘DMW’ is the song that started it for me. Its based on a massive chunky riff, Kira Macs vibrato vocal styling and tasty guitar solo. ‘Downfall’ ups the ‘heavy’ to 11 and ‘Never Going to Stay’ is the king to ‘Downfalls’ yang. ‘Never…’ definitely has a Nashville country influence and is probably the most mainstream sounding song on the album

What Kira Mac have delivered is extraordinary. It is ten songs of pure quality, that after just one listen will make you ride that rollercoaster and pay to take the ride again and again. Its not perfect, but it is 35 minutes of absolute enjoyment. I really think that Kira Mac deserve to be going places. The debut album is out at the end of this week (18th November), and a UK tour follows hot on the heels, starting in Edinburgh two days later (20th November).

9/10

Tracklisting – 

One Way Ticket

Hit Me Again

Chaos Is Calling

Back For More

Imagine What Could’ve Been

Mississippi Swinging

Hell Fire Holy Water

Downfall

Never Going To Stay

Dead Man Walking

Album Line Up

Joe Worrall – Guitar

Alex Novakovic – Guitar

Bret Barnes – Bass

Cal Casey – Drums

Kira Mac – Vocals

Feature band image is courtesy of Emilia Drag

Alter Bridge – ‘Pawns & Kings’ Review

Pawns and Kings is the most complete, consistently thunderous anthemic Alter Bridge album to date

Most of my musical heroes are either dead / in their 70s/ no longer active. Very few bands formed this century get into my list. The main ones that I adore are Alter Bridge, Coheed and Cambria and Rival Sons. Not only are my heroes as mentioned, very few are ready to take the crown and become headliners at the likes of Download etc. Out of these 3, AB are in the best position for taking the next step upwards, especially now.

I have been a fan of Alter Bridge ever since I heard them on Orlando Rock Radio back in 2004. I have attended an Alter Bridge gig on every tour at least once. I think I’m up to about 18 gigs. I would like to think that I have earned the right to have an opinion on their music. Remember reader, opinions are like arseholes, everybody has one. It is my opinion that the Top 3 Alter Bridge albums are as follows….

  1. Blackbird
  2. Fortress
  3. ABIII

Alter Bridge have been making great and good albums, but nothing after Fortress has come close to breaking into my Top 3…..until now!

‘Pawns and Kings’ is the bands 7th studio album, and by Christ, is it a cracker. At just 10 songs long, the guys have literally gone straight for the jugular. Think of the best of Myles Kennedys solo work and smash it with Tremonti’s knack for a spleen-busting riff, together with the Prince Of Pound (Philips) and the testicle moving, pummelling bass of Marshall and its 10 songs of pure God and Thunder. ‘This is War’ is the best opener to an album that AB have ever done – Myles never sounded better, and there’s almost a Carmina Burana chant that will go down a storm when played live. I honestly think Tremonti has a riff for every occasion (weddings (yup), funeral (gotcha!), Bar Mitzvah (yes indeed). He has the best riffs this side of Tony Iommi’s moustache!!!

Alter Bridge have gone big and long on a few tracks, and all deliver in spades with the anthem ‘Sin After Sin’; ‘Fable of the Silent Son’ is a ‘Children of the Sea’ for the modern era, and the title track is the sister companion to Kennedy’s ‘The Ides of March’.

To be honest here, there is not an average number or plodder on the album. ‘Silver Tongue’ shows why it was picked as a single/appetite whetter for Pawns, as it combines the best AB bits rolled into one song. ‘Stay’ is where Tremonti takes the lead on vocals and is now becoming a staple to have a song from the metal crooner and correctly so. In fact he is continuing to get better with each AB/Tremonti/Sinatra album, and it is closest thing to a melodic rock song as AB will ever get. 

To follow on from a couple of earlier points, I am convinced that after half a dozen listens to Pawns & Kings that this album will probably knock ‘Blackbird’ off its coveted No.1 spot (steady on! Editor). With regards to upping the level to festival headliner, if AB don’t get the breaks after this album, I have no idea what they are supposed to do. This album is next level.

P&K is that strong, every single song on this could make it into the live set. It is the most complete, consistently thunderous, anthemic album to date and for that I have to applaud the guys as they could easily have gone for ‘okay’ but have instead set a level that in 2022 (and 2023) other bands have to meet. It will be in many a Top 5 list come the next few weeks, mine included.

9/10

Tracklisting –

This Is War

Dead Among The Living

Silver Tongue

Sin After Sin

Stay

Holiday

Fable Of The Silent Son

Season Of Promise

Last Man Standing

Pawns & Kings

Mick White – ‘Somethings Got To Give’ Review

Are you ready to Rock? Then get your arse into gear and support British Rock.

Back in the day, Mick White was a teenage singer for Samson (who incidentally the first professional band I saw live, supporting Whitesnake on the Paints & Thinners Tour in Dec 82). After leaving Samson he formed his own band, First Strike, but grunge buggered that up like it did with a lot of bands at that time. This led White to session work for the next five years, before becoming disillusioned at the end of the Millenium, (98 to be precise). This lead to a long period of inactivity until 2019 where White was approached by Steelheart Records to finally get a release of the First Strike album. Whilst guesting on a song written by Marty Punch in 2019 called ‘Better Be Strong’. White was approached by the drummer Carsten Enghardt on that song and Carsten knew White was the right singer for his own band Endfield.

Fast forward a bit to 2020 and like many others, Covid meant a period of songwriting for a solo album, which brought in Enghardt and guitarist Luke Hatton. Included on this album are a song co-written with Paul Samson back in 1988, called ‘Don’t Close Your Eyes’, a reworking of a First Strike song ‘Hold Tight’ and a new version of ‘Better Be Strong’. Which leads us sweetly into this review.

‘SGTG’ starts off with a bang on ‘Burning In The Night’, as it moves through the gears fast, with Hatton and White in the driver and passenger seat. Title track ‘Somethings Got To Give’ is a step to the side but is equally enjoyable as the opener. Hatton again gives his talent and fingers an airing on the solo. ‘Without You’ shows MWB can mix it up a bit, as its a moodier song, and adds a burning desire to the song. ‘Emergency On Planet Earth’ shows how White can deliver a melodic rock song with aplomb as its very catchy indeed. It sees Mick singing to a younger version of himself, now older and wiser and telling his younger self of the issues that lie ahead.

‘Ordinary Girl’ is as you would expect, a ballad, with feet planted firmly in the 1980s. Not one of those soppy ones, as it builds to a nice crescendo. ‘Alter Of Desire’ is a snappy, up-tempo rocker. ‘Hold Tight’ is broody, but has a very melodic bridge and chorus, that would have been a staple on many a 80s album (in fact it was, it just didn’t get released until 2019!). ‘Sometime Superman’ was the 2nd video to be released and rightly so, as this and ‘Emergency…’ show the band in fine form and at their prime best on these melodic numbers.

‘Don’t Close Your Eyes’ is Samson through and through. It’s a shot of adrenaline to the ears. Mick screams the title just like Don Dokken (when Don could sing). ‘Better Be Strong’ closes on a (well, er…strong) note, and it is a definite highlight.

I’ve not come across Mick White before (oo-er!), and probably hadn’t had I not been contacted by Ian Edwards who is MWs Bassist. (Note – Ian only works with ex-Samson vocalists – Peter Scallan ‘Moritz’ and now Mick White. If this were the 80s, next up would be Mammoth – now there’s one for the over 50s!).

Mick White is a very decent singer of gravelly velvet voice and a definite ear for decent tune. I can’t wait to see where this goes next. Its definitely for fans who like their rock music with lashings of leg warmers, bleached jeans and built on the foundations of NWOBHM. Are you ready to rock? Then get your arse into gear and buy this album.

7.5 /10

Tracklisting –

Burning In The Night
Somethings Got To Give
Without You
Emergency On Planet Earth
Ordinary Girl
Alter of Desire
Sometime Superman
Hold Tight
You Poisoned My Love
Don’t Close Your Eyes
Better Be Strong

Groundbreaker – ‘Soul To Soul’ Album review

If you liked the debut, you’ll absolutely love ‘Soul To Soul’. Quality AOR from Groundbreaker and Overland

Buy here – https://www.frontiers.shop/search?sSearch=groundbreaker

By Paul Chesworth

Unless you’re a fan of melodic rock/AOR, then you won’t be aware of one of the hardest working men in British rock music, one Steve Overland. Outside of FM, he has a CV that few can muster – The Ladder, Shadowman, Ozone, Lonerider, and his own project, simply called Overland. Not including all the albums he has guest appeared on, sings with The Staz Band, and has done shed loads of tribute songs, AND sang the theme to Galaxy Rangers! Phew. Known to his bandmates and supporters of FM as ‘the voice’ its a title that is very aptly bestowed, given we are in a world where platitudes are handed out like sweets.

‘Soul To Soul’ is a grand title for Overlands blues/soul vocal stylings. The debut included Robert Sall (Work Of Art) and Alessandro Del Vecchio (production). Sall has gone, joining this time on the songwriting side and is Stefano Lionetti (Lionville), Pete Alpenborg (Arctic Rain), Jan Akesson (Infinite & Devine), and Kristian Fyhr (Seventh Crystal). The line up includes Sven Larsson (ex-Street Talk) on guitars, Nalley Pahlsson (Therion) on bass, Herman Furin (Work Of Art) on drums, and Alessandro Del Vecchio on keyboards.

On to the stuff that matters. The music. The appetite was well and truly whetted back in August when the video for ‘Standing On The Edge Of A Broken Dream’ dropped. Its massive slice of pure and polished AOR. Its somewhat akin to FMs debut and the more recent efforts by bands like W.E.T, WOA, and Perfect Plan. An opener wouldn’t be an Overland special without the obligatory ‘whoa-ohs’™️. ‘Soul To Soul’ opens with a lovely parpy keyboard, and sees Overland hitting notes that I didn’t think possible from him. Its also worth mentioning Sven Larsson’s sterling guitar work. There’s a couple of obligatory ballads in ‘Captain Of Our Love’ and ‘Fighting For Our Love’ and because of Overland they are elevated and could appear corny had anyone else tackled them, such is the gravitas he brings to the table.

It’s on the polished, and punchy numbers that Groundbreaker truly shine. ‘Evermore’ picks up the tempo and has a good chorus. Its as close to FM as Groundbreaker gets. Overland himself gets to shine by playing lead guitar on Wild World. It borders into fm-radio territory and that’s not a bad thing to say by any means. ‘Carrie’ (not that one, or the other one) ups the ante, and Larsson wrings the neck off of his guitar. It’s a cracking little song. ‘It Don’t Get Better Than This’ has great harmonies and reminds me of The Storm. ‘Theres No Tomorrow’ keyboard sound is straight out of the iSPY book of Michael Bolton songs (that’s a reference few will get unless you’re over 50!). It’s a great song and my fave of the bunch. ‘When Lightning Strikes’ has a great melody and nice layered harmonies with now obligatory searing Larsson guitar solo. Its formulaic, but it’s one hell of a formula. ‘’Til The End Of Time’ is solid enough, but it’s on the final song ‘Leap Of Faith’ where it is a prime example of Overlands ‘cream on top of the milk’ analogy. It’s a fine song to end a mighty fine album.

If you love your pure AOR in bands like Signal, Bad English, Alias, LeRoux and Unruly Child, then look no further than ‘Soul To Soul’ It may not break into many peoples top 10s but it certainly will do on mine come December

Anything Michael Bolton can do, so can Overland, only sometimes a lot better but without Bolton’s bank balance. The man should be a household name. Well you are in our house son.

I liked the debut, but this one comes with knobs on!

9/10

Tracklisting –
Standing On The Edge Of A Broken Dream
Soul To Soul
Captain Of Our Love
Evermore
Wild World
Carrie
Fighting For Love
It Don’t Get Better Than This
There’s No Tomorrow
When Lightning Strikes
Til The End Of Time
Leap Of Faith

Myles Kennedy – ‘The Ides Of March’ review

belting sophomore solo album from Kennedy ticks all the right boxes. Its the album I’ve been waiting for.

I read an interview with Myles Kennedy in the latest Classic Rock mag and he states ‘I’m not a household name’. Well fella, I can assure you that you are in the Chesworth household and have been since 2004 when we were listening to rock radio stations whilst on holiday in Florida. Thankfully these stations only play about 15 different songs a week, so it got us all firmly embedded into Alter Bridge in the Summer of ’04.

I was fortunate to interview Brian Marshall back in 2011 and he said Myles had a solo album ready to roll. It was a long time coming. His debut album in 2018 was a tribute to his late father (who passed when Myles was a young child) and was an emotional album and I suspect a very cathartic one for Myles to do. Roll on another 3 years and we have The Ides Of March, which would be even better had it been released in March! Its the kind of album I was expecting  (and hoping for) from him.

‘Get Along’ is a guitar riffin’ foot stompin’ call to arms where he wails ‘I thought we left this shit behind, don’t tell me I don’t belong,….the answer never was black or white’ and typifies the feelings of many in the World today. It certainly rings true with my feelings over the past 14 months. A similar theme continues into ‘A Thousand Words’, where he sings, ‘because in times like these we must live and learn’, his mantra is simple and he comes across as a genuinely caring bloke. The chorus is instantly memorable and encompasses some blisteringly hot guitar work. The slide guitar of ‘In Stride’ shows that its not a straight up rock album, and paints a picture of a survivalist preparing for an impending zombie apocalypse (much nearer than we think considering the events of the past year!) And was inspired by the first lockdown in which people hoarded bog roll and other invaluable items and ingredients. The title track is the big number, and switches between gentle verses, and heavier chorus where Kennedy gives his larynx a decent work out. Its as much a vehicle for his guitar soloing as it is for his vocal dexterity. Were it not bordering on eight minutes, its a perfect title and song for the next Bond movie. If Sheena Easton can get the Bond gig, then Myles is a deserving candidate. 

Both ‘Wake Me When It’s Over’ and ‘Sifting Through The Fire’ border on fillers, only because Kennedy set himself a high bar. ‘Sifting…’reminded me a bit of the Allman Bros ‘Jessica’. But its on ‘Love Rain Down’ is a mainly acoustic ballad where ‘the voice’ is vulnerable and soul searching. Its a beautiful song. ‘Tell It Like It Is’ is the good feel song of the album, with a hand clap, and foot stomping anthem for the masses. I can’t wait, this will be huge played live.  ‘Moonshot’ has one foot planted in the Blues camp, and ‘Wanderlust Begins’ errs on the side of country. Both are cool, with Wanderlust being a companion to Year Of Tiger is tone and style. ‘Worried Mind’ is the most straight up blues song on ‘TIOM’. If you think that its standard fare, that is quickly dispelled thanks to some shred-tactic guitar playing and tonsel tickling vocal histrionics. Thats how you finish the album off. Fantastic.

As I said at the top, TIOM is the album I wanted it to be, and more. ‘Year Of The Tiger’ had to grow on me because there was little variance in the style, but this one gave me more of an instant ‘fix’. Theres more than enough light and shade and variety to keep even the most pessimistic  fan occupied. As an ardent fan, its a little belter.

9/10

Tracklisting

Get Along

A Thousand Words

In Stride

The Ides Of March

Wake Me When Its Over

Love Rain Down

Tell It Like It Is

Moonshot

Wanderlust Begins

Sifting Through The Fire

Worried Mind

Myles Kennedy – Vocals, Guitar

Tim Tournier – Bass

Zia Uddin – Drums

Out May 14th https://smarturl.it/MK-TheIdesOfMarch