FM – ‘Old Habits Die Hard’ Review

Fourteenth is definitely the charm. Old Habits Die Hard ranks as one of the best in their 40 yrs of being one of Britains finest rock bands.

In an uncertain world where we are seeing wars being fought, economies crashing and Trump still being a massive bell, its good to know that some things never change – such as an album dropping every other year from AOR and British rock stalwarts, the mighty FM.

The album has been released to coincide with their 40th anniversary (1984-2024), which is a huge milestone because there are not that many AOR/melodic rock bands around, let alone producing new music especially with any consistency. In FM’s case prolific doesn’t describe them enough. Its no good being prolific if the quality isn’t there. Thankfully FM rip up the rulebook and in ‘Old Habits Die Hard’ they have produced some of their finest work since 2010’s Metropolis.

Following 2022’s ‘Thirteen’ album, ‘Old Habits Die Hard’ was delayed slightly by keyboard player Jem Davis’ cancer diagnosis (thankfully he’s now received the all-clear) and then by the sudden passing of FM’s founding guitarist Chris Overland (Steve’s brother), which hit the band hard.

“Chris’s passing came out of the blue and it was devastating,” says Steve. To add insult to injury, close friend of the band and longtime collaborator of Jim Kirkpatrick, guitarist Bernie Marsden passed away just two days after Chris.”

The tragedies that plagued the band through the recording process only reinforced FM’s resolve and desire to make the best album that they could to represent their 40 years in the business. The new album is also a fitting tribute to Chris Overland.

On a first listen, it feels like Steve et al (sorry I went all David Coverdale for a moment there) have been Digging Up The Dirt on what used to be the standard offering back in the 80s where you could hear more than a passing influence from the likes of Toto and Bad Company in particular.

Opening song ‘Out Of The Blue’ takes the Toto AOR/West Coast vibe and its a very smooth sounding track that bands like Toto and Chicago would kill for today. I hate the term Yacht Rock, but in Overland’s case its more like Train Rock, as he is the Biff Byford of AOR who shares a passion for trains (Crosstown, Runaway, and now Midnight) which leads us to ‘Don’t Need Another Heartache’. The riff is in ACDC territory, but this song is so Bad Company, and Foreigner sounding, I had to check that they hadn’t got their mate Mick Ralphs in on the guitar solo. ‘No Easy Way Out’ digs deep into his bag of lyrics and comes up with lines that only SO can deliver without being sugar coated. It also has the FM huge hook (pat.pending). I still don’t know how FM aren’t filling stadiums with songs like these, especially with the trademarked 5 part harmonies they offer. 

I’ve seen a comment that FM are playing it safe with ‘Old Habits…’. No, they are not. I think its more early FM than reformed FM, but that doesn’t mean it has been played safe. 

‘Lost’ is one of the smoothest songs they have ever done. If it was any smoother it would be a deluge of dewdrops (look it up). ‘Black Water’ is one of my favourite tracks on the album. It’s the kind of slow burn that gets under the skin after repeated listens and makes FM stand out from the rest of the bunch, and it gives Jim Kirpatrick the reins to play his heart out. Its a fire-cracker of a song.

‘Leap Of Faith’ comes out of the traps like a stabbed rat. It’s the heaviest song on the album, and proves that FM can rock as much an anyone else, only with infinitely better vocals and harmonies, with Overland singing his arse off. Plus I’m a sucker for a bit of Hammond (B-3, not Alison). Once you see a song called ‘California’ you know what is to come. It is also the perfect companion piece to 2015’s ‘Life Is A Highway’. We are very quickly at the sharp end and ‘Blue Sky Mind’ comes from the pen of Jem Davis who wrote about his cancer diagnosis. The a cappella beginning gave me goosebumps. 

Many, many bands have reformed from the 80s, but none of them are doing it better or more consistently than FM. ‘Old Habits..’ was self produced, and it’s one of the best sounding albums of their career.

Without a shadow of a doubt, it is the best album since Metropolis. Old Habits certainly do Die Hard (with a vengeance).

Score 9/10

Tracklisting – 

Out Of The Blue

Don’t Need Another Heartache

No Easy Way Out

Lost

Whatever It Takes

Black Water

Cut Me Loose

Leap Of Faith

California

Another Day In My World

Blue Sky Mind

Plush – ‘Plush’ Album Review

Stunning debut album from Plush. I thought it was going to be good, but I didn’t know how f*cking good!!

Review by Paul Chesworth

Buy here – https://amzn.to/3AWIEJP

Released 29th October 2021

I first came across Moriah Formica (not that way you perv), a couple of few years back when she duetted on a Michael Sweet solo album, ‘One Sided War’. Back in 2016 I predicted great things for her even back then. I’ve kept a distant eye on her career and have been hotly anticipating this debut Plush album after seeing some of the covers they have been releasing. My appetite was completely whetted when they posted their ‘shit-hot’ version of Alter Bridge’s ‘Isolation’.

‘Plush’ is composed of four talented women, under 21, whose accomplishments and talent eclipse their age. This female rock force is fronted by singer, songwriter and guitarist Moriah Formica. Drummer Brooke Colucci, guitarist Bella Perron and bassist Ashley Suppa round out the lineup.

When I said hotly anticipating, I thought it would be a good debut, but I wasn’t expecting it to be THIS. FUCKING. GOOD. If anyone was thinking fluffy girly metal, then you couldn’t be more wrong. After stating recently that Nestor’s debut was one of the best I’ve heard in a long time, along comes Plush with an equally superb debut album.

‘Opening with “Athena” Plush ready do set their stall out early. It has a really heavy, dirty riff from Bella Perron that Mark Tremonti would be proud of punches you like Bruce Lee only wearing an iron glove. Harmonies are a-plenty, and the rhythm of Brooke Colucci and the pulsating bass of Ashley Suppa drive this on to stand head and shoulders in the pack. Throw in Moriah Formica’s stunning vocal range and it make for one sumptuous recipe. Think Ann Wilson or Kelly Clarkson singing for Alter Bridge and you will get where I’m coming from. “Champion” “Found A Way” and “Hate” are more melodic, but still pack a hefty punch. Perron has a great guitar tone and Formica’s vocals are crystal clear.

“Sober” is a powerful anthem, moving from acoustic to electric and is an emotional ride digging into the lyrical content. “Better Off Alone” is a song where Formica is wearing her emotions on her sleeve, and if auto-biographic, has drawn on some life affirming decisions. Bella Perron earns her weight in salt with her guitar playing. “Sorry” is nicely paced, branding from stripped down to a strong phrasing of ‘Sorry’ for each line of its chorus. “Why Do I Even Try” uses Formica’s instrument (her voice) and interplays with Bella Perron guitar licks. The Princess of Pound (Colucci) and Suppa are up front and centre on the dynamic “Bring Me Down”. “Don’t Say That” is the true ballad on the album, and shows that Plush have a lot of strings to their bow. If this was the late 80s, Plush would be sitting on a Top 10 Billboard song, and playing arenas within weeks of its release.

“Will To Win” matches ‘Athena’ for its heavy riff and these songs sit really well in Plush’s wheelhouse. All 4 are on top form here, and Formica’s vocals shine. This is a nice composition and Perron lays down some understated riffs. I just with she was given more slack to let rip with her talent. It’s only on closing track “Walk Away” where she has anywhere near an extended solo. Moriah wails ’I’m gonna walk away, walk away from all the pain’ and you know she means it. At 13 songs and 50 minutes it flew by. There’s not a duff song on here and that is something else.

Plush have clearly done their homework. In Formica they have a singer songwriter that is a shining light in modern metal now, and hopefully for years to come. It easy to over sing when you have an instrument like Formica’s voice. She knows when to be subtle, when to let loose and when to emote. Add the undoubted quality to Colucci, Suppa and Perron, and its delicious. The four women complement each other perfectly to become Plush. They have avoided the pitfalls to be a ‘saccharine-coated-look-great-but-no-substance’ band and come out all guns blazing. If they are doing this now, then I cannot wait for what’s to come in the future.

To write and perform an album that is so contemporary, mature, and with a wink to the past, with all band members at a (relatively) young age is remarkable. Ok maybe not remarkable as I’ve seen their videos leading up to this release so it shouldn’t be a total surprise. They have lived up to my expectations, and gone way beyond it. ‘Plush’ is a simply marvellous album. Look out boys, the girls are here to kick your asses!

I haven’t been this excited about a band since I found Rival Sons, Alter Bridge and Coheed And Cambria. Plush sit in great company

For fans of Alter Bridge, Shinedown, Red Sun Rising

Score – 9/10

Plush are –
Moriah Formica – Vocals & Guitar
Bella Perron – Guitar
Brooke Colucci – Drums
Ashley Suppa – Bass

Tracklisting –
Athena
Champion
Hate
Found A Way
I Don’t Care
Sober
Better Off Alone
Sorry
Why Do I Even Try
Bring Me Down
Don’t Say That
Will Not Win
Walk Away