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Set within a colossal former steelworks, Magna also echoes with the rich industrial heritage of the UK steelmaking industry which once used the natural resources of earth, fire, water and air – to manufacture steel products which were shipped around the world.
The steelworks closed in 1993 but the original building has been largely preserved as a monument to its industrial heritage. Impressive artefacts such as hulking hooks, winding passages, cupolas and cranes are still in position around the science adventure zones in Magna today. They are silent reminders of the cathedral-like building’s industrial past. A perfect backdrop to a religious gathering of Prog & AOR followers…
First up on the main stage (quite late) were local outfit Spill Sixteen.Even though behind schedule they managed to tear through their set in enough time and have time for their intro tape of Magnum’s theme tune. Highlight of the set were the impressive bluesy opener ‘Doing It Tonight’ with a very excited and animated singer in Steve, and are cross between a Bad Co and Mamas Boys vibe. Spill 16’s Bass drum was turned up to 15 as I could actually feel my hair moving (upstairs and downstairs!). Other notable offerings was the well received ‘Damned’, and new single ‘Come With Me’. If a twin Les Paul attack is right up your street with no nonsense rock and roll then Spill 16 deliver. Just cheer up guitarist, you know who you are (OK Its JJ). Spill Sixteen are ones to look out for in the future
If I thought S16 were good then Daylight Robbery took it up a notch or two. Instantly you see (and hear) their melodic rock influences and have more than a knack for writing a decent anthem or two, and in singer Tony Nicholl (ex-Rock$tar) the have a more than capable singer who can deliver polished vocals and any band that can provide me with 3/4/ or 5 part harmonies is already a winner in my books. From the Tyketto-esque ‘Survivor Never Sleeps’, and the mightily impressive ‘Crossing the Great Divide’, DR have quality in abundance with their chunky AOR riffs and fist pumping choruses. Very nice indeed!
Dante Fox were firsts for two reasons.
1) First band with keyboard player in tow, and
2) Sue Willets wielding a tambourine (the first of many over the weekend). I have a few DF albums and was wondering how they would come across live. My doubts were immediately extinguished as Willets’, vocals (despite her apologizing for her croakiness) were damned impressive. Tim Manford’s guitar playing was up there with the best, and also Sue’s banter was quite witty and relaxed. Most of the set came from ‘Under The Seven Skies’ with Sue showing her vocal chops on the excellent ‘Walking The Line’. Dante Fox were responsible for my first ‘goosebump’ moment of the day (many more were to follow over the course of the weekend) with the excellent rendition of ‘Limara’, I mean ‘Remember’, with Willets hitting a stellar note at the end that made me have a nice sit down and a calming cup of tea.
Now, once again the ante was upped considerably with the introduction of Romeos Daughter. I recently saw them play a relatively small gig last year (and were excellent), but its on these larger settings that they really show their star quality. In Craig Joiner, RD have an excellent songwriter and guitar player and in Leigh Matty the first front-person who was out centre stage thoroughly enjoying herself. Tonight RD are as tight as a gnats chuff, and its probably as best as I’ve ever witnessed. The sound was superb, and so hats off indeed to HRH. Everything was thrown at us (except my wedding dance song I must add!), classics both old and new – ,Bittersweet’, ‘Cannot Be The One’, ‘Trippin Out’, ‘Talking Love’ and ‘Alive’ from ‘Rapture’, and ‘Heaven…..’ (2nd goosebump moment), ‘Velvet Tongue’, ‘Inside Out’, ‘Cry Myself To Sleep’ and the excellent ‘Wild Child’ from the debut (did I say they never played Hymn!). Tight BV’s from the rest of the band lifted the songs further, and RD could have hit us with another 12 different songs such is the quality of their 3 albums
Danny Vaughn was up with an electric set for once. I love his acoustic renditions , because of its intimacy, but when you have a repertoire like Danny’s its rude not to show it off with an electric set, with a mix of solo (some not so well known) and a couple of Tyketto (‘Meet Me In The Night’, ‘Battle Lines’ & ‘Seasons’ – probably the best of the set judging by the audience reaction). It’s the solo songs that show the quality of Vaughn, from the country sounding ‘Just Like That’, to the anthemic ‘Badlands Rain’, and haunting opener, ‘Bad Water’. Not be outdone, Danny’s vying with Leigh Matty for shiniest hair in melodic rock accolade. Result? A close second for Danny!
To be fair, Ive covered FM more than any other band, and I’m running out of platitudes for them. Once they stepped onto the stage the whole atmosphere changed. For once I chose to view from 2/3 back and it was the first time that most if not all the audience in the main arena came to life instantaneously and as one. Its 26 yrs since ‘Indiscreet’ was launched and the songs still sound as fresh today as they did back in ’87. Come to think of it, they sound even better, with Steve Overland’s voice the key to their success. This bloke is the UKs answer to Michael Bolton only he forgot to tell anyone in the UK. FM should have been huge, but to be honest, playing gigs like HRH AOR is all the accolades they need. The quality on offer means that the new songs (‘Tough Love’, ‘Over You’, and ‘Crosstown Train’) fit seamlessly into the set along with the classics – ‘That Girl’, ‘Don’t Stop’, ‘Other Side Of Midnight’ etc etc. I’m guessing FM played a fave (‘Bad Luck’) of the bloke standing right in front of me, as I’ve never seen a bloke dance like he did, EVER!! Once again the whole performance is a masterclass in British rock and quality songwriting. The FM guys really are getting better with age, and there’s not many that can say that!
Sacramento’s Tesla were up next. I don’t know if it was the local water, but a few pronounced then Tezla! It been a fair few years since I saw them last (supporting Leppard on the Hysteria tour) and the guys still all look and sound great. Whilst I never really classed them as AOR, Tesla are a class rock band. In the same fruitful vein as FM, Tesla prove that their latest (2008’s ‘I Wanna Live’ & ‘Breaking Free’) are up there with anything from their first 3 classic albums. Tesla are definitely at Magna to put on a show, with Jeff Keith a cross between Stephen Tyler and a clothed Iggy Pop, and the rest of the band ready to unleash their wrath on the Rotherham crowd. Thankfully Keith’s voice has hardly altered since ‘Mechanical Resonance’and the songs fit like a nice comfy pair of slippers. We are given ‘Getting Better’, the Frank Hannon wizardry on the theremin for the excellent ‘Edison’s Medicine’. The final song being their ‘must play’ and the first Tesla song I ever heard, the barnstorming ‘Modern Day Cowboy’.
For the encore they played ‘Little Suzi’, but I must admit I was a little disappointed they didn’t play to the GTA (Grand Theft Auto) crowd in us all and hammering us with ‘Comin Atcha Live’, but that’s just me being a little picky.
I managed to catch about 3 songs from new Swedish starlet Mia Klose. Described as the Swedish bombshell of 80s rock – I severly doubt she was born in the 80s!To be fair the 2nd AOR stage was nothing short of poor to be honest. No stage provided for the bands, so if you weren’t in the front two rows you couldn’t see four fifths of bugger all. What I could glimpse is that Mia’s photos make her look a lot older than she is. One thing I am certain of is her ability. Supremely confident, great voice, and backed by her equally young gunslingers it will not be long at all before she is playing the big stage. Invite her back to the next one HRH, you wont be disappointed
Finishing off the day were UKs AOR young guns, Vega. Given an hour and 10 to make an impression, Vega hit them with both barrels filled with napalm, gunpowder and anthemic numbers. Vega both look and sound the part of the future of British AOR and they are ready to take on the Americans (hopefully) at their own game. These guys don’t have an axe to grind with the dreaded 2ndalbum syndrome as new tracks being aired tonight prove that they have developed and matured into a mighty fine ‘single’ machine. Highlights of theset are predominately the ‘new’ ones, with ‘Not There For You’, a sure fire single in the not too distant future, the Def Lep influenced ‘What The Hell’ a song with a biographical tone and more than a ringer for Leppard’s “..Sugar’, and the anthemic closer, ‘Hands In The Air’. The Martin boys certainly have a ear for a catchy number or 11, and in adding Night By Night guitarist Ben Christo, filled out the Vega sound perfectly, and when all the lads can sing, it doesn’t make for a better experience than thisAll photos copyright Mark Lloyd
Needle In The Groove 
LIVE VIDEO FROM DAY ONE OF DAYLIGHT ROBBERY HERE:http://youtu.be/-vPA6X9PRdA
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ANOTHER LIVE DAYLIGHT ROBBERY VIDEO – WHILE YOU WERE SLEEPING HRH AOR 2013 http://youtu.be/QNwp7zWtzWw
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