John Pratt – Turn The page

Vocalist and musician John Pratt has been fronting bands most of his life. Starting in San Francisco, then on to Los Angeles, he was a staple of the 80’s scene with the critically acclaimed headlining act, Roxbury Drive. Then in the late 90’s early 2000’s, John released 3 very good melodic rock / AOR albums under the moniker ‘Firefly’.

Simultaneously, during the last 20 years he embraced the genre of Film and Television music composition. A prolific writer and producer, he has placed thousands of instrumental works in Feature Film and Television and over a hundred songs as well. His voice was the feature voice on well over 75% of those songs. During this time, John kept on writing, produced many artists, and perfected his craft. All the while he composed songs, masters in scope, as he set out to create a sound that would be his own.

So what we have is a culmination of John’s best work. Many of these songs have sat in the vault for over 20 years (not always a good sign when I read this term, because if it was good enough it wouldn’t be sitting on a shelf since the early 90’s). A record label friend of John’s heard some of these songs and encouraged him to set the musical wheels in motion. All in all, he has culled 13 songs from his archives, and it was time to go out and re-record them.
Pratt has called on many of his friends and musicians who had been there at the first time of recording. Old friends indeed. Ron Wikso, drums (Firefly, The Storm, Foreigner, DL Roth, etc); John Thomas, guitars (Firefly, Vixen); Michael Alemania, keys(Jack Wagener, Vixen, Firefly); Lance Morrison, bass (Don Henley Band); Chris Trujillo, percussion (Tom Petty, Toto, Roxbury Dr.), and a new friend in Wally Minko (Gregg Rolie Band). Pratt’s proudest addition? His son Justin playing violin with the string section on the final track, ‘Still Here’
Forget what I said about leaving songs on the shelf for many a year. In this case Pratt has bucked the trend as he has a great ear for songwriting, and his voice isn’t that bad either. None of it is life-changing, but the album soars with its composition – soaring melodies, great harmonies, and the key is John’s orchestration and arrangement.
The album is strong right from the off, ‘ Take Me There’, right trough to ‘Forgive Me’ being as solid as a rock. The album wanes slightly through the middle section, but thankfully regains its momentum with the above average ‘One Silent Voice’.
All in all Pratt has assembled a great cast of players, and the music reflects his many years as a writer/producer/ and more importantly singer. It is an honest set of songs and his powerful, yet intimate voice carries them through
If he would have picked ten songs the album would have scored much higher. Still it’s a pretty decent effort all the same and is definitely worth a listen

Author: barnstoneworthutd

Rock music lover from the age of 4 thanks to my dad. I migrated to the classic rock bands of the 70 (Rainbow, Rush, Lizzy, Purple etc) before discovering melodic rock and hair metal in the 80s and beyond. Also partial to a bit of prog

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